Personal Sketchbook for Part Three 


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Research Point - The still life genre  To approach such a huge area of research, I have decided to study a painting from each century and note down my observations on medium, style, application and the mood of each piece.  Pieter Aertsen 'A meat stall' 1551. Oil on canvas:  This painting offers a scene of abundance. A stall full of meat, of food. Outside of the doorway I can see many people going about their business, picking up supplies. In the immediate scene I can see fish and sausages, birds and ham and of course the most striking element, the head in the centre.  The oils are used here with such precision and skill. The colour is exact, so truthful. The scene has been depicted exactly as it would be caught on a camera in this modern age. There is no room here for an untruth. It is a photograph of the stall. A stark reality.  The shadows have been painted in so accurately on the white cloth just right of the head. In shade a pale grey. ...
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Research point:  Landscape artists from different eras Claude Lorrain 1604/05-1682 Claude Lorrain, born Gellee in 1604/05 is one of the earliest know landscape artists.  Rome was his interest and inspiration and where he spent a large amount of his life. Lorrain would sketch the Roman countryside with fellow artist Nicolas Poussin. These sketches would the be developed into oil paintings.  Lorrain was influenced by Northern painters, Elsheimer and Domenichino .  Lorrain's earliest dated canvas is 1629 with 'The storm' from 1630. 'The storm is a drawing/painting of an unknown location. Pen and brown wash are used on blue paper to depict a seascape. Figures on the beach are pulling hard to bring the ship to shore in the foreground. A ship floats wildly amongst the waves of the sea in the middle ground and in the background, I see the cliffs. Is it a real scene or is it fictional? There is such energy in this piece, I can see the great effort ...
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RESEARCH POINT  Odilon Redon Here, I also found the pencil sketches of the trees to help with my study.  'Two Trees'  The dark bellows through the trees from behind, like there being an expanse of dark behind them. You can see the dark to the side of the trees too. The tone is bold and the darkest marks.  The light hits the trees further up. I think the light comes from the right hand side. There are dark marks that show the round shape of the trunks. The straight lines of the trunks appear delicate and look as if they move downwards, perhaps downward strokes of the brush and pencil.   The light especially hits the branch on the right side, this branch to my eye is the lightest part of the piece.  Redon also includes bobble like marks on the tree trunks to depict texture. Things marks appear round in shape and move upwards around the tree, again enhancing the appearance of their shape.  'Portrait of Madam Redon Embroid...
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